# Dehancer: what it does, and when a LUT is enough

> Dehancer emulates film stocks inside Resolve, Final Cut, Premiere and Photoshop. What it does that a LUT cannot, and when a plain .cube across the shoot is enough.

Canonical: https://batchtone.com/blog/dehancer

20 October 2026 · 6 min read

Dehancer is a film emulation plugin for DaVinci Resolve, Final Cut Pro, Premiere Pro, After Effects, Photoshop, Lightroom, Capture One and Affinity Photo. It models real film stocks with grain, halation and bloom, which a LUT cannot do. If all you need is one colour look applied evenly across a shoot, a .cube LUT does that job faster and needs no plugin.

Dehancer is one of the most searched names in film emulation, and most people looking it up are asking one practical question: do I need this, or would a good LUT get me there?

It depends on which part of "film look" you are after. Dehancer does several things a LUT never can. It also does one thing a LUT does just as well, and that is the part most people actually use.

## What is Dehancer?

Dehancer is a film emulation tool that installs as a plugin inside the editor you already use. Its site lists DaVinci Resolve, Final Cut Pro, Premiere Pro, After Effects, Baselight, Vegas Pro and Assimilate SCRATCH for video, plus Photoshop, Lightroom, Lightroom Classic, Capture One and Affinity Photo for stills. There are also desktop, iOS and online apps.

It describes itself as offering more than 60 film profiles and over 130 camera log profiles. You tell it which camera shot the footage, pick a film stock, and it builds the look from there.

## What does Dehancer do that a LUT cannot?

A LUT is a fixed table: every input colour maps to one output colour, the same way on every pixel. That is enough for colour and contrast. It is not enough for the parts of film that depend on where a pixel sits, how bright its neighbours are, or randomness.

| Part of the look | A LUT | Dehancer |
|---|---|---|
| Colour response of a film stock | Yes | Yes |
| Contrast curve | Yes | Yes |
| Grain that moves frame to frame | No | Yes |
| Halation (red glow around highlights) | No | Yes |
| Bloom and softness | No | Yes |
| Gate weave, damage, breath | No | Yes, as separate modules |
| Camera-specific input profiles | One file per camera | Built in |

Grain and halation are spatial effects. They need to know what surrounds each pixel, which is exactly the information a LUT does not have. If those effects are the reason you want a film look, a plugin like Dehancer is the right tool and no `.cube` file will substitute for it.

## Which part of the film look do most people actually use?

Look at what ends up on most finished photos and clips that are described as having a "film look": a colour palette and a contrast curve. Warmer highlights, a lifted or crushed black, a particular way greens and skin tones shift. Grain is often turned down or off for web delivery, and halation is a subtle effect many viewers never notice.

That colour and contrast part is exactly what a LUT captures. It is also why many film emulation packs are sold as `.cube` files rather than as plugins. [DaVinci Resolve film look](https://batchtone.com/blog/davinci-resolve-film-look) breaks down which ingredients do the heavy lifting.

## How does Dehancer compare with a plain LUT workflow?

|  | Dehancer | A LUT across the shoot |
|---|---|---|
| Runs where | Inside your editor, per clip or per photo | Any app that reads `.cube` |
| Setup per shoot | A project, then the plugin on each clip | Pick a file, apply it |
| Spatial effects | Yes | No |
| Speed on hundreds of files | Plugin render on every frame | Fast, a single colour mapping |
| Licence | Paid, per its pricing page | Many free conversion LUTs, paid creative packs |
| Watermark without a licence | Yes, on preview and render | No |

Dehancer's own documentation says that without activation a watermark is applied to the preview and the rendered output, so the trial is for evaluating the look, not for delivering work. Check its shop page for current licence terms, because they have changed over the years and differ by module.

## When is Dehancer the better pick?

If you are grading a short film, a music video or a set of hero photos, and you want believable film texture, Dehancer is the better tool. Grain that behaves like film, halation on practical lights, and a film stock chosen from a real reference are worth the setup on work that will be looked at closely.

It is also the better pick when you want to switch stocks quickly and compare. Swapping a film profile inside the plugin is quicker than hunting through a folder of LUTs.

## When is a LUT enough?

A LUT is enough when the job is consistency rather than texture:

- A wedding or event with hundreds of photos and clips that all need the same palette.
- A card of log footage that needs converting and a gentle look on top.
- Social delivery, where grain is compressed away and halation is invisible at phone size.
- A client gallery that has to match a style you already sell.

In those cases, the time goes into applying the look to every file and fixing the handful it does not suit. A plugin applied clip by clip makes that slower, not better.

Dehancer can also export a LUT through its LUT Generator, which its documentation says needs the full Pro licence or the Video & Photo subscription. A LUT exported that way keeps the colour and drops the spatial effects, for the same reason any LUT does.

## How do you apply one film LUT to a whole shoot?

This is the job BatchTone was built for, on a Mac. It does not emulate grain or halation; it applies a `.cube` LUT to photos and video together, quickly, with control per file.

1. Drop the folder in. JPEG, PNG, HEIC and TIFF photos and MP4, MOV and other common video formats go in the same batch.
2. Import your LUT pack once. Every look is previewed on your own first frame, so you choose by looking.
3. Set a strength on any file the look does not suit. A clip at 50% lands on the same values as a photo at 50%, so stills and video still match.
4. Export JPEG, PNG or H.264 MP4 to a folder you choose. Originals are never modified, and nothing is uploaded.

It does not develop RAW files and is not an editor with masks or a timeline. [LUT intensity](https://batchtone.com/blog/lut-intensity) explains why the strength dial matters so much with film-style packs, which are often tuned loud.

Only your own files and LUT pack can show whether it fits, which is why the seven-day trial has everything unlocked: video, unlimited batches, no watermark. After that it is one in-app purchase, not a subscription.

[Download BatchTone free on the Mac App Store](https://batchtone.com/download)

## Common questions

### Is Dehancer free?

Dehancer is paid software with a trial. Its documentation says unlicensed previews and renders carry a watermark. Current pricing is on its shop page.

### Can Dehancer export a LUT?

Yes, through its LUT Generator, which needs the full Pro licence or the Video & Photo subscription according to its documentation. The exported LUT carries colour and contrast but not grain, halation or bloom.

### How does Dehancer compare with FilmConvert?

The two overlap: both emulate film stocks as plugins inside your editor. [FilmConvert](https://batchtone.com/blog/filmconvert) is sold as a one-time purchase per host, and Dehancer has a wider list of hosts and more separate texture modules. Try both on your own footage.

### Can I get a film look without a plugin?

You can get the colour part with a film emulation LUT applied at the right strength. The texture part needs more. Grain can be added separately in most editors, and halation needs a plugin or a node setup.

**About this article.** Written by the team that builds BatchTone, a macOS app that applies .cube LUTs to whole folders of photos and video. Spotted something wrong or out of date? Write to [support@batchtone.com](mailto:support@batchtone.com).

## Read next

Explainers 21 September 2026 · 5 min read

## [DaVinci Resolve film look: what actually creates it](https://batchtone.com/blog/davinci-resolve-film-look)

The film look in DaVinci Resolve comes from four things stacked in order: a correct log conversion, a gentle highlight roll-off instead of a hard clip, some colour separation between shadows and highlights, and a small amount of grain and halation. A film-look LUT only supplies the third of those, which is why applying one to unconverted footage makes it look worse rather than more filmic.

[Read it](https://batchtone.com/blog/davinci-resolve-film-look)

Explainers 19 September 2026 · 4 min read

## [What is a LUT? The whole idea in five minutes](https://batchtone.com/blog/what-is-a-lut)

LUT stands for lookup table. In video and photo editing, a LUT is a file that says, for a grid of input colours, what each one should come out as. Applying a LUT means looking up every pixel in that grid and interpolating between the nearest entries.

[Read it](https://batchtone.com/blog/what-is-a-lut)

Comparisons 20 October 2026 · 5 min read

## [FilmConvert: Nitrate, CineMatch, and when a LUT will do](https://batchtone.com/blog/filmconvert)

FilmConvert makes colour plugins for Premiere Pro, After Effects, DaVinci Resolve and Final Cut Pro. Nitrate emulates film stocks with grain, tuned to your camera through free camera packs; CineMatch matches the colour of one camera to another. Both are one-time purchases with a watermarked trial. If you only need one colour look applied to a whole shoot, a .cube LUT does that without a plugin.

[Read it](https://batchtone.com/blog/filmconvert)

## One look. A whole shoot.

BatchTone applies your .cube LUTs across photos and video at once, with a strength dial on every file. Seven-day trial, everything unlocked.

[Download for macOS](https://apps.apple.com/app/batchtone/id6821727167)