# Fujifilm LUTs: film simulations on F-Log2 footage > Fujifilm's free official LUTs turn F-Log and F-Log2 footage into Rec.709 or a film simulation like Eterna or Classic Chrome. Which to use, and how to apply it to a card. Canonical: https://batchtone.com/blog/fujifilm-luts 20 October 2026 · 4 min read Fujifilm publishes free official LUTs on its support site, one download per camera: conversions from its log profiles to Rec.709, and, for F-Log2 and F-Log2C, LUTs that turn F-Log2 and F-Log2C footage into ten of its film simulations, including Eterna, Classic Chrome, Provia, Velvia and Acros. Use the file for your body and the log profile you recorded, and apply it to the whole card in one pass. Fujifilm shooters have a reason to care about LUTs that other brands do not: film simulations. In stills and in standard video, a camera menu choice gives you Classic Chrome or Eterna straight out of the camera. Shoot F-Log or F-Log2 and that choice disappears; the footage comes off the card flat. The LUTs bring it back. ## What LUTs does Fujifilm provide? Fujifilm's support site has a LUT download page with one entry per camera, from older bodies such as the X-T2 and X-H1 to the X-H2S, X-T5, X-S20, X100VI and the GFX line. Each is a free download of `.cube` files for that model. Fujifilm notes that which log profiles are available, F-Log, F-Log2 or F-Log2C, varies by model. The files fall into two kinds: | Kind | What it does | |---|---| | Log to Rec.709 | Turns the flat log image into a neutral, normal-contrast Rec.709 image | | Log to film simulation | Turns log footage straight into a Fujifilm look such as Eterna | The big addition came with the GFX ETERNA 55: LUTs that convert F-Log2 and F-Log2C footage into ten film simulations, among them Eterna, Classic Chrome, Provia, Velvia and Acros, plus a neutral and a natural version. Fujifilm presented them as working with F-Log2 and F-Log2C from its other recent cameras too. Earlier, Fujifilm had already published an Eterna LUT for F-Log. Download the set listed for your own camera body, not a neighbouring model. ## Which Fujifilm LUT should you use? The deciding question is what you recorded: - **F-Log** (older and smaller bodies): the F-Log to Rec.709 LUT, or F-Log to Eterna for that look. - **F-Log2** (the X-H2, X-H2S and later): the F-Log2 files. The F-Log LUT on F-Log2 footage gives flat, wrong highlights, because the curves differ. - **F-Log2C** (the wider colour version on recent bodies): the F-Log2C files, which are packaged alongside the F-Log2 ones. Check the camera's menu or the clip metadata before choosing. [F-Log to Rec.709](https://batchtone.com/blog/flog-to-rec709) explains the F-Log and F-Log2 difference in more detail. ## Rec.709 or a film simulation? A Rec.709 conversion gives you a clean, neutral starting point. That is the right choice if you will grade on top, or if you need the clips to match footage from another camera. A film simulation LUT gives you a finished look in one step, the same character as the camera's stills. That is the right choice when you shot Fujifilm because you like how Fujifilm looks. | You want | Use | |---|---| | A neutral base for your own grade | F-Log2 to Rec.709 | | A cinematic, low-saturation look | Eterna | | Muted colour with punchy contrast | Classic Chrome | | Black and white | Acros | | Vivid landscape colour | Velvia | One caution: film simulation LUTs are strong. On the shot that is already contrasty or saturated, the full look can be too much. That is a strength problem, not a reason to pick another simulation. [LUT intensity](https://batchtone.com/blog/lut-intensity) explains why. ## Do Fujifilm LUTs work on photos? The film simulation LUTs are built for log video, so on ordinary photos they will look wrong. For stills, set the simulation in camera or in Fujifilm's own raw software. If you want a matching look across photos and converted video from the same shoot, apply a Rec.709 creative look to both after the video is converted. ## How do you apply a Fujifilm LUT to the whole card? In an editor, one clip is a minute's work: a LUT node in Resolve, the Custom LUT effect in Final Cut Pro, the Input LUT in Premiere. Forty clips means a timeline and a render queue. BatchTone treats it as a batch job on a Mac: 1. Drop the card's folder in. 2. Import the Fujifilm LUTs once. Each is previewed on your own first frame, so you can compare Eterna and Classic Chrome on your footage before committing. 3. Pull the strength down on any clip that takes the look too hard. 4. Export H.264 MP4 to a folder you choose. 10-bit H.264 and HEVC are read, audio is copied untouched, and originals are never written to. Everything is processed on your Mac. Only your own files and LUT pack can show whether it fits, which is why the seven-day trial has everything unlocked: video, unlimited batches, no watermark. After that it is one in-app purchase, not a subscription. [Download BatchTone free on the Mac App Store](https://batchtone.com/download) ## Common questions ### Are Fujifilm LUTs free? Fujifilm publishes its official conversion and film simulation LUTs for free on its support site. ### Can I get Classic Chrome on F-Log footage? Fujifilm's film simulation set was announced for F-Log2 and F-Log2C, so check your camera's download for what it includes. On F-Log footage, convert to Rec.709 and use a third-party Classic Chrome style LUT, or shoot with the film simulation instead of log. ### Should I shoot F-Log2 or a film simulation? Shoot a film simulation when you know the look and want to deliver quickly. Shoot F-Log2 when you need the dynamic range or might change the look later; the LUTs give you the simulation back afterwards. ### Do the LUTs work in DaVinci Resolve and Final Cut Pro? Yes. They are standard `.cube` files and load in any app that reads them. **About this article.** Written by the team that builds BatchTone, a macOS app that applies .cube LUTs to whole folders of photos and video. Spotted something wrong or out of date? Write to [support@batchtone.com](mailto:support@batchtone.com). ## Read next How-to 23 September 2026 · 3 min read ## [F-Log to Rec.709: converting a Fujifilm shoot](https://batchtone.com/blog/flog-to-rec709) Use Fujifilm's official F-Log to Rec.709 LUT, and check whether your body records F-Log or the newer F-Log2, which has more range and its own conversion. The complication specific to Fujifilm is that the film simulations are already a finished look, so shooting log means giving those up deliberately. If you were not planning to grade, they are often the better choice. [Read it](https://batchtone.com/blog/flog-to-rec709) Explainers 29 September 2026 · 7 min read ## [Log footage: why it looks grey and what to do with it](https://batchtone.com/blog/log-footage) Log footage is video recorded with a logarithmic gamma curve, which spreads the sensor's full dynamic range evenly across the file instead of shaping it for a screen. That is why it looks grey and washed out straight off the card: it has not been finished yet. To use it, expose it correctly for the profile (usually at its minimum or native ISO, and slightly bright), then convert it to Rec.709 with the manufacturer's conversion LUT or a colour space transform, and grade on top of that. [Read it](https://batchtone.com/blog/log-footage) Explainers 19 September 2026 · 4 min read ## [Free LUTs: where the good ones come from](https://batchtone.com/blog/free-luts) The free LUTs worth having are the conversion LUTs camera manufacturers publish for their own log formats. Free creative packs are usually an email address in exchange for files, and are worth judging on your own footage before you keep them. [Read it](https://batchtone.com/blog/free-luts) ## One look. A whole shoot. BatchTone applies your .cube LUTs across photos and video at once, with a strength dial on every file. Seven-day trial, everything unlocked. [Download for macOS](https://apps.apple.com/app/batchtone/id6821727167)